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songwriter
Katie Dill is currently one half of the music project Mean Lady, but has also been performing and recording her own music for years. Influenced by artists that range from Ella Fitzgerald to The Beach Boys and Bob Marley, Katie has written and recorded hundreds of songs, often folky tunes played on a range of instruments such as piano, banjo, ukulele and omnichord. In this episode of BTR Live Studio, Katie shares a couple of new songs, as well as a solo version of Mean Lady’s “Far Away, played on piano, and discusses some of the inspiration behind her many songs.
Mike Higbee is a Paris-born, New York-based singer-songwriter whose most recent album, Secret Life, was recorded at Let ‘Em In Music, a studio in Brooklyn’s burgeoning Gowanus neighborhood. The album draws its influences as much from American indie folk-rock as it does from the swaggering oom-pah style and contemplative crooning vocals of 1960s Paris. For this episode of BTR Hear & There, Higbee performs a raw, solo version of "Love Letter" against the background of the New York City skyline as seen from a Long Island City balcony.
A native of Blue Point, Long Island, Travis McKeveny grew up with a wealth of great musical inspiration from the likes of Van Morrison, John Hiatt, and Jackson Browne, thanks to his guitarist/singer-songwriter father. Only two years into his own music career, Travis crafts impressive songs comprised of unadorned voice and bare acoustic guitar. Preparing for the release of his debut album, Last Year’s Leaves, he stopped by for a session of BTR Live Studio.
Strongly influenced by her own military family background -- including extensive traveling throughout the world -- Michaela Anne today finds herself settled in the Ditmas Park neighborhood of Brooklyn, which is quickly revealing itself to have a burgeoning music scene of its own. Leading what she calls her "not exclusively country, country band" and making a name for herself on the Americana circuit, she stopped by BTR Live Studio to play some new songs as she prepares for her next release.
Katie Dill is currently one half of the music project Mean Lady, but has also been performing and recording her own music for years. Influenced by artists that range from Ella Fitzgerald to The Beach Boys and Bob Marley, Katie has written and recorded hundreds of songs, often folky tunes played on a range of instruments such as piano, banjo, ukulele and omnichord. In this episode of BTR Live Studio, Katie shares a couple of new songs, as well as a solo version of Mean Lady’s “Far Away, played on piano, and discusses some of the inspiration behind her many songs.
Elizabeth Devlin, with her haunting combination of lilting voice and enchanting autoharp, is a self-produced NYC singer-songwriter who’s been likened to artists such as Joanna Newsom. Staying away from traditional musical structure with many of her songs, she builds miniature narratives, such as with her new song, "A Chorus Divine,” which she performed for us at her apartment in Bushwick, Brooklyn.
With a style somewhat reminiscent of the late, great Townes Van Zandt, The Ghost Of Arthur James makes music that sounds at once haunting and hopeful. Here, he plays the song “New Mexico” at the City Reliquary, a cozy museum space in Williamsburg, Brooklyn, that exhibits interesting ephemera.

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