New York Times
Chepe joins us to discuss his work with violence deescalation, alternatives to policing, and exciting activism happening in Bosnia. Also, the NYT cowardly refuses to Zephyr Teachout.
The New York Times obituary of Michael Brown refers to him as “no angel” and suggests his interest in rap music was somehow evidence of a nefarious character. Also, mission creep in Iraq and Radio Dispatch has a new four-legged co-host.
Are antibiotics making humans fatter and sicker?
With the results of a new study showing the benefits of fitness-based lifestyles, what does 'moderate' mean anymore?
This week’s Sew & Tell is possibly one of the most important we will ever feature. I’m joined today by Bangladeshi photojournalist Ismail Ferdous, who documented the Rana Plaza factory collapse on the day it happened: April 24, 2013. Ismail’s images make it impossible to ignore the human suffering and heartbreak that resulted from that tragedy, and show intimate, tangible images of grief and devastation. Fellow photographer and filmmaker Nathan Fitch met Ismail at a workshop, and, moved by his images, the two began a collaboration that would ultimately lead to the creation of their Cost of Fashion initiative. On today’s show, Ismail generously shares his memories from being at Rana Plaza on the day of the collapse and some of the stories he’s heard from survivors, and Ismail and Nathan talk about the inherently problematic fast fashion system, and the ways in which they hope to raise awareness through Cost of Fashion. And as always, I’ve got some new music in the mix today including tracks from Southern Florida’s Helado Negro, Australian pop quintet The Trouble with Templeton, a single off the upcoming June release from The Antlers, and more. Please join us today on BreakThru Radio as we learn more about the single deadliest garment industry disaster in history, and some small and not-so-small ways in which we can help effect some urgently-needed change.
Charlotte Lieberman of Cosmopolitan and Dane Feldman of The Hash podcast on BTR join us to discuss.
Human interest stories underscore a great amount of journalistic output, but what is its value?
Why separating the art from the artist is basically impossible.