Archive
This week Kimberly speaks with Gelah Penn, who recently had a solo show titled Uneasy Terms at Undercurrent in Brooklyn. Throughout their conversation Gelah and Kimberly talk about Galah’s work in relation to narrative, sculpture, materiality and literature. All images by Etienne Frossard All images courtesy of the artist Ebb Tide (Site-responsive installation), 2019 Various synthetic materials, dimensions variable At ODETTA, Chelsea, NYC I/LXVI (from Clarissa Collages), 2019 I/XLVIII (from Clarissa Collages), 2019 Notes on Clarissa (Volume I), 2019 Installation of 99 collages Exhibition cards, various synthetic materials Various dimensions In “Uneasy Terms” at Undercurrent, Brooklyn, NY Notes on Clarissa (Volume II), 2019 Installation of 99 collage Exhibition cards, various synthetic materials Various dimensions In “Uneasy Terms” at Undercurrent, Brooklyn, NY Uneasy Terms by Gelah Penn at Undercurrent Uneasy Terms by Gelah Penn at Undercurrent Stele #9, 2019 Polyester mesh, lenticular plastic, plastic garbage bags, plastic mesh, silicone tubing, staples, Styrofoam ball, Velcro, eyelets, T-pins 90 x 49 x 30 inches Stele series, installation view, 2019 Various synthetic materials, dimensions variable In “Uneasy Terms” at Undercurrent, Brooklyn, NY Stele series, installation view, 2019 Various synthetic materials, dimensions variable In “Uneasy Terms” at Undercurrent, Brooklyn, NY
This week Kimberly speaks with Richard Bottwin, an artist and art educator who works with wood and abstraction.
William Norton is a New York based artist whose autobiographical work connects his roots of growing up in Japan with his complex history of dealing with the disappearance of his 4-year-old son in 1990.

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