When indie-folk musician Audrey Ryan performs live, she often switches between numerous instruments like the accordion, banjo, and electric guitar, looping and using each one as a layer for her songs. Although she’s only one person, with all of these parts combined — including her delicate and warm vocals — her music immediately builds up to a more robust and enveloping sound, similar to the full orchestration that accompanies artists like Bon Iver or Sufjan Stevens. For this episode of BTR Hear & There, Ryan played around the corner from Pete’s Candy Store in Williamsburg, Brooklyn, where she later performed and celebrated the release of her book The Need To Be Heard, a collection of stories for and about DIY musicians like herself.
After leaving indie band Le Loup, guitarist May Tabol started a new project called Pree. Their name a reference to the Neutral Milk Hotel song, “A Baby for Pree,” the D.C.-based group play charming and quaint folk. The instrumentation is warm and rustic, showered with the occasional bright tinkling of bells and tambourines, while Tabol’s front woman vocals are richly textured and feature a quirky bend reminiscent of Joanna Newsom. With music fit for a cozy cabin, Pree sounded right at home when they played at Brooklyn’s Permanent Records, a store with a tight squeeze and intimate ambiance where any audiophile can easily find comfort.