Archive
Resa Blatman is an interdisciplinary Massachusetts-based artist whose work considers issues of climate change and its effect on our landscape and natural resources. She stated that her work “inhabits the terrain between the poetry of art and nature, and the future of climate dystopia.” Resa received her MFA from Boston University in 2006 and her BFA from Massachusetts College of Art and Design in 1995. She has had solo exhibitions at the Wright Art Center Gallery at the Delta State University in Mississippi, the Museum of Arts and Sciences in Georgia and the Hollister Gallery at Babson College in Massachusetts. And she has also participated in group shows at Spartanburg Art Museum in South Carolina, Chen Art Gallery at Central Connecticut State University and Gauntlet Gallery in San Fransisco. And she has upcoming shows at the Dorsky Gallery in Long Island City, the University of New Hampshire Museum of Art and the University Gallery at Western Illinois University. She was an artist in resident at the Vermont Studio Center and the Arctic Circle Residency in Svalbard Norway. All images courtesy of the artist Bleached Coral 1, 2017. Arylic, colored pencil and pen on board. 20 in x 30 in Bleached Coral 3, 2017. Arylic, colored pencil and pen on board. 15 in x 20 in Fading Reef, 2017. Acrylic, colored pencil, and pen on Mylar. 96 in x 101.25 in Dispersant, 2017. Oil on hand-cut Mylar. 112 in x 96 in x 8in Dispersant, 2017. Oil on hand-cut Mylar. 112 in x 96 in x 8in Tempest (detail), 2013. Oil and glitter on layered, laser-cut panels. 42 in x 100 in x 3 in The Fall, 2012. Oil, beads, glitter, glue, and graphite on DiBond aluminum panels. 72 in x 156 in
Ben Godward is a NY-based artist who works primarily in sculpture and public works of art. He received his MFA in sculpture from the university at Albany in 2007 and his BFA in sculpture at Alfred University in 2004. He has exhibited nationally and internationally at spaces such as The Front in New Orleans, Reservoir Art Space in Queens, Slag Gallery in Brooklyn, Volta 11 in Basel Switzerland and Socrates Sculpture Park in New York. He was a resident at the Socrates Sculpture Park and received a fellowship from the International Sculpture Center, I-Park and Jerome Foundation. He has permanent sculptures installed at the Stevens Institute of Technology and the Hyperallergic headquarters in Brooklyn. All images courtesy of the artist  
Margaret-Inga Urías is a New York based artist who works across the disciplines of drawing, photography, installation and sculpture. Her work—which is rooted in scientific research—considers how entire worlds come from and return to dust, a substance that she believes could tell the story of everything that has ever existed. Margaret received her BA from Columbia University in 2001 and an MS from Pratt Institute in 2004. She has exhibited at the Bronx Museum of Art, String Room Gallery in Aurora, NY, City Without Walls Gallery and Visual Arts Center, which were both in New Jersey. She has been an artist in residence at Saltonstal Foundation for the Arts in Ithaca, NY and the Artist in the Marketplace Program at the Bronx Museum.  She is a recipient of the Ruth and Harold Chenven Foundation Grant, the Pollock Krasner Foundation Grant and a New York Foundation of the Arts Fellowship. And her most recent of work titled “Return to Me” is now on view at the Equity Gallery in NYC. All images courtesy of the artist Equity Gallery, Installation View Ink on Paper Drawings 30×22” each, unframed Return to Me: Section 07, Part 01, 2015 30” x 22” ink on paper Return to Me: Section 09, Part 01, 2015 30” x 22” Ink on paper Return to Me: Section 10, Part 01.02, 2016 19.75” x 19.75” Ink on paper Return to Me: Section 10, Part 01.01, 2017 19.75” x 19.75” Ink on paper Return to Me: Section 10, Part 01.01, 2017 19.75” x 19.75” Ink on paper Return to Me: Section 10, Part 01, 2015 30” x 22” Ink on paper Return to Me: Section 10, Part 03, 2015 30” x 22” Ink on paper Return To Me, Ghosts of Catastrophe: No.05, 2016 22.047˝ x 14.173˝ Engraving on Clear Glass Return to Me: From Rock and Cloud, 2016 6” x 6” ea. Ink on paper Return To Me, Untitled Wall Drawing, 2016 223” x 89” Acrylic on wall Return To Me, Untitled Wall Drawing, Installation view through gallery, 2016 223” x 89” Acrylic on wall Return To Me, Untitled Wall Drawing, Installation view through gallery, 2016 397” x 121” Acrylic on wall Return To Me, Untitled Wall Drawing,Gallery installation view, 2017 148” x 102.75” Laser CAD-Cut Vinyl Return To Me, Untitled Wall Drawing,Gallery installation view, 2017 148” x 102.75” Laser CAD-Cut Vinyl Reminders & Remainders No.02, 2014 24×48” Hand-engraved Acrylic panel, mirror, plexiglass, glass Reminders & Remainders No.03, 2015 72×48”x14” Hand-engraved Acrylic panels, glass, charcoal dust, rock fragments Return to Me, Ghosts of Catastrophe: No.02 (A History of Everything That Ever Existed), 2017 (7) 4.3˝ x 2.4˝ x .75˝ ea. Engravings on Clear Glass Return to Me, Ghosts of Catastrophe: No.02 (A History of Everything That Ever Existed), 2017 (7) 4.3˝ x 2.4˝ x .75˝ ea. Engravings on Clear Glass Return to Me, Ghosts of Catastrophe: No.03, 2016 23.62” x 15.75” Engraving on Black Glass Return to Me, Ghosts of Catastrophe: No.06, 2017 23.62” x 15.75” Engraving on White Glass

recommendations