Staff
Kimberly Ruth
Kimberly Ruth is a New York based multi-media artist. Her work explores the failures and inconsistencies of language, especially in the digital age. Through text, photography, video and performance, she works to unveil, de-construct, poke fun at and critique the way words and images fail each other and their promise of an objective truth. She has recently exhibited at Galapagos Kunsthalle, New York; CICA Museum, South Korea; and SOMA, Mexico City. She has attended residencies such as LMCC Swing Space, SOMA Summer, Byrdcliffe in Woodstock, NY, and Vermont Studio Center.
Recent Posts
Tariku Shiferaw’s ongoing body of work titled, “One of These Black Boys,” Shiferaw explores mark-making in order to address the physical and metaphysical spaces of painting and societal structures
Stephanie Land is a Brooklyn-based artist whose practice is built upon a traditional photography background and developed through an acquired printmaking process. She received her B.A. in Photography at Columbia College Chicago and her M.F.A. in Printmaking at the Royal College of Art, London. Throughout the conversation Stephanie and Kimberly spoke about Stephanie’s project titled White: Silence, an installation-based exploration of her own whiteness. They also talk about anti-racism*, family histories and the importance of communication. Suggested links Color of Change SURJ Building Black Bed Stuy  Medium Tings Equator Productions TaraAura Ashya All images courtesy of the artist Stephanie Land, Alginate and Copper Wire, 2019, 168 x 96 x 12 Inches Stephanie Land, Tending To was developed as part of Lower Manhattan Cultural Council’s Process Space program and photographed at LMCC’s Studios in the Arts Center on Governor’s Island. Stephanie Land, Tending To was developed as part of Lower Manhattan Cultural Council’s Process Space program and photographed at LMCC’s Studios in the Arts Center on Governor’s Island. Stephanie Land, Archival digital print on Hahnemuhle Stephanie Land, Archival digital print on Hahnemuhle
Kimberly speaks with Matt Hulse about his recent feature length film titled ‘Sound of the Future’ and his award winning photo series.
Nicholas is a reductive painter living and working in Grand Rapids, Michigan.
This week Kimberly speaks with Philippa Tapada, a New York based attorney who talks about her experience of leaving the art field to pursue a career in law.
This week Kimberly speaks with Gelah Penn, who recently had a solo show titled Uneasy Terms at Undercurrent in Brooklyn. Throughout their conversation Gelah and Kimberly talk about Galah’s work in relation to narrative, sculpture, materiality and literature. All images by Etienne Frossard All images courtesy of the artist Ebb Tide (Site-responsive installation), 2019 Various synthetic materials, dimensions variable At ODETTA, Chelsea, NYC I/LXVI (from Clarissa Collages), 2019 I/XLVIII (from Clarissa Collages), 2019 Notes on Clarissa (Volume I), 2019 Installation of 99 collages Exhibition cards, various synthetic materials Various dimensions In “Uneasy Terms” at Undercurrent, Brooklyn, NY Notes on Clarissa (Volume II), 2019 Installation of 99 collage Exhibition cards, various synthetic materials Various dimensions In “Uneasy Terms” at Undercurrent, Brooklyn, NY Uneasy Terms by Gelah Penn at Undercurrent Uneasy Terms by Gelah Penn at Undercurrent Stele #9, 2019 Polyester mesh, lenticular plastic, plastic garbage bags, plastic mesh, silicone tubing, staples, Styrofoam ball, Velcro, eyelets, T-pins 90 x 49 x 30 inches Stele series, installation view, 2019 Various synthetic materials, dimensions variable In “Uneasy Terms” at Undercurrent, Brooklyn, NY Stele series, installation view, 2019 Various synthetic materials, dimensions variable In “Uneasy Terms” at Undercurrent, Brooklyn, NY

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