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For the several years photographer Daniel Cronin attended The Gathering of the Juggalos, an annual festival for die-hard fans of the horrorcore rap group The Insane Clown Posse. In his photographs, Daniel depicts Juggalos of every stripe, likening his approach to that of early 20th century German photographer August Sander who made egalitarian portraits of his countrymen. These photographs have been published in a book by Prestel, and I spoke with Daniel over the phone from Portland about his experiences at Gathering, misconceptions about Juggalo culture and some of his other projects.
Photographer Brian Rose has been documenting New York City with his large format camera since the early 1980s. In his book Time and Space on the Lower East Side, Brian explored how we experience and come to terms with change, or lack of it, in the urban environment. It collects photographs taken on the streets of New York City's Lower East Side in the years 1980 and 2010. Now, over those 30 years, the Lower East Side has gone from being a symbol of urban blight and decay to a poster-child for urban renewal and gentrification.
This week on Art Uncovered I'm joined by Andrew Shea. He's the director of a new film called POW: Portrait of Wally. The film tells the story of one family's efforts to recover a 1912 work by Egon Schiele, Portrait of Wally, that was stolen by the Nazis during World War II.
War/Photography, an expansive new exhibition curated by Anne Wilkes Tucker, opened last month at the Brooklyn Museum. The show includes photographs spanning from the Mexican American War in 1848 all the way through the Arab Spring, and features hundreds of images made by dozens of photographers on five continents.
This week Thilde Jensen talks about Canaries, her project that looks at people suffering from Multi Chemical Sensitivity. A book of her Canaries photographs was recently published by LENA Publications.
Curator Elizabeth Armstrong's current exhibition at the Minneapolis Institute of Art is all about this slippery slope between truth and fiction in the 21st century. Her show is called More/Real: Art In the Age of Truthiness. The show looks at how artists are responding to a world in which fabrications, fictions or blatant falsehoods are often accepted as truth without regard to logic or reason. A world where news and entertainment are interchangeable and our social relationships and even our wars are conducted in virtual reality.

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