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John Fahey
In his book, Disappearance of Darkness: Photography at the End of the Analog Age, Robert Burley documents the infrastructure that for nearly 100 years supported film photography. Robert was granted access to shuddered film factories to photograph the massive machines and interior spaces where thousands of workers once made film in total darkness. He visited Dwanye's photo lab in Kansas: the last photo lab in the world to process Kodak's iconic Kodachrome film. And, for the most dramatic pictures in the book, Robert photographed the demolitions of film manufacturing buildings at Kodak's headquarters in Rochester New York.
Jenny Vogel is a new media artist working in video, photography, printmaking, performance and installation. She's interested in the world as seen through communication technology --- web cameras, morse code, fax machines --- and the way we use these tools to overcome distance, alienation and loneliness. Her work exposes the glitches and limitations of technology and reveals the strange miscommunications it can produce. Jenny is especially interested in the video feeds from web cameras that are placed in city centers and homes around the world. These cameras broadcast ghostly pictures of places that seem to be devoid of human activity, and Jenny uses images from these broadcasts to construct her own narratives in her videos and prints.

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